TSD
ARTIST SERIES
AMIN YOUSEFI
Eyes Dazzle as They Search for the Truth
How could the sound of a 35mm camera shutter attract the attention of a protestor in a crowd? As if the photographer used a megaphone to say, “One, Two, Three, Cheese …“ and some participants gazed out of the atmosphere to stare at the camera. I want to find my suspects like a detective among the revolutionaries of Iran in 1978-1979. This project highlights individuals who looked out from among the masses at a crucial moment in history and stared into the lens of a camera.
Photographing through a magnifying loupe provided an allegory for extracting photographs of the revolution and bringing them to the present moment. The magnifying loupe acted as a bridge that connected me to the revolutionaries. It seems that their gaze has been waiting for my eyes for decades, filtering through a multitude of lenses and eyes before reaching me. They wanted to be recorded in history by a camera, and I tried to honor their desire for immortality.
HUSEYIN OVAYOLU
Uprooted
3rd PRICE
On a map adorned with borders, I embarked on a journey of exploration, discerning what lies far from me and what lies near. With the aim of uncovering the lands of my birth and its surroundings, I traversed both the borders drawn by human hands and those invisible boundaries within my mind. As I sought to understand the illusions of proximity and distance that have lingered in my mind since childhood, I began to realize that the differences I imagined were not so different upon encountering them. Instead, I endeavored to discover and comprehend the reality of the places I had envisioned.
FRANK KREMS
Spezial Operation
1st PRICE
February 24, 2022 not only marked the end point of political failure and the beginning of a new human disaster in Ukraine, it was also a date that affected me personally. The images of every cannon fired, every tank hit, the houses destroyed, the people who lost everything went through my bones as if it were happening to me.
The only explanation I have for this is that this present touches my imaginary past. If we are actually carrying on the trauma of our parents, this is probably the reason why the current situation affects me so much. The places that I was now hearing and reading about were places that I knew from stories. And I realized for the first time that the Russian campaign, in which my father had participated as a soldier, had actually taken place in Ukraine.
When the war began, it was immediately clear that I had to react to this state of emergency. The starting point for this series is almost exclusively POV reels of the soldiers and drones that can be found on the various relevant social media channels. I use screenshots to specifically extract individual moments from these reels. Through the subsequent editing and alienation of the images obtained in this way, I arrive at the abstraction I intended.
XIAOFU WANG
The Tower
Genex Tower, in the Serbian capital of Belgrade, is one of the most iconic buildings in the former Yugoslavia. Consisting of two towers connected by a bridge, the giant brutalist structure looms above the rest of the city; standing stoically as the world around it changes.
In the residential tower, hundreds of residents have lived out daily routines and personal dramas. It’s a place where couples fell in love, teenagers went through rights of passage, a security guard penned a science fiction novella, and a computer engineer painted Mondrians in far-flung corners of the building.
Despite being laden with a heavy ideological and historical legacy, Genex Tower is impossible to pigeonhole and its unchanging exterior belies a dynamic interior. ‘The Tower’ is a subjective documentation of how past intersects with present in a place brimming with possibility.
NAZANIN HAFEZ
Discrete
RESIDENCY PRICE 2024
Have you ever peeked into the rooms of your friends and family members in the evenings and observed how they spend their time in front of screens on mobile phones, laptops, and televisions?
Have you paid attention to the portraits that emerge in the otherwise dark rooms due to the illumination from these screens?
Today, even at night, no one is truly alone in their own four walls because as constant companions, digital media immerse people in a virtual world. Through social media, they receive the illusion of being needed, loved, addressed, and entertained.
NATALIA KEPESZ
The Iron Curtain
Since Russia’s attack on Ukraine, an Iron Curtain has closed again in the middle of Europe. How does it feel to have Russia as a neighbor? What does it mean to live now, at this time, at this glo
ANJA ENGELKE
Sleeping by the Dataflow
Anja Engelke has an artificial intelligence create prompts based on photographs from Alec Soth‘s series „Sleepin By the Mississippi.“ Prompts are keywords that describe the image.
The same AI then generates images from these prompts.
LAURA PANNACK
The way home from school
Making our way home from school is a simple, nostalgic, universal activity we can all relate to.
This daily commute has its own set of challenges in South Africa where the omnipresent threats of gang culture pervade. Young people face the threat of crossfire everyday as they take this journey. This is a truly collaborate with young people to make images through sharing cameras, techniques and alternative mediums.
MAUREEN DRENNAN
Island Kingdom
Through my photographs I seek out the vulnerability and fantasy of living in a small island community mostly seen through the eyes of the young women and girls who reside there. The community is Broad Channel, Queens and it’s a lifestyle conditioned by water, vulnerable to storms, tides, changing weather, and yet, in close proximity to one of the largest urban centers, New York City. Broad Channel is a multi-generational, mostly blue-collar neighborhood with a rich history of being resistant to change.
LUDOVICA BASTIANINI
The Cruelty of Grace
With this work I created a poetry of the house, of dead objects, historical memories and feelings connected to them. I took inspiration from alchemy as a practice of transformation, inner liberation, and change. Alchemy’s greatest achievement is to create a relationship between our inner world and our outer world. While physical alchemy deals with altering and transforming the properties in the physical world, spiritual alchemy is connected with freeing the spiritual self from fears, limiting beliefs systems and lack of self-acceptance.
So, can pain turn into beauty?
LOUIS ROTH
Fata Morgana
»Fata Morgana« explores how the New Administrative Capital emerges as a surreal backdrop amidst controversy. Designed to house millions, it embodies Egypt’s modern aspirations, yet questions linger about its feasibility and purpose. Through my portraiture, I delve into the human dimension of this enigmatic urban realm, capturing individuals navigating its grandeur and uncertainty with curiosity and resilience.
LOUISE AMELIE
Missing Member
WHAT DOES MIGRATION MEAN FOR THOSE WHO STAY BEHIND?
Louise Amelie’s documentary photo series is an artistic exploration of the global phenomenon of migration and its many facets, which are often ignored in European migration politics. In a collection of portraying photographs that foreground the individual stories, the series is an expression of solidarity and empathy, and shows that migration can mean both an opportunity as well as the painful loss of a beloved Missing Member.
LESHA PAVLOV
Thread the Needle
My grandma passed away on my birthday. I felt her warmth and care until I was 27 years old.
What do I even know about her? Not very much, to my shame. Although I sincerely considered her to be my closest person.
I need to get to know her again. Not as a person I-love-because-that-is-my-grandma, but just as a person. People, objects, my own memories and my grandma’s craft techniques will tell a lot. Bead by bead, stitch by stitch.
Working with photography and mixed media, I’m rethinking the life of my grandmother. Everything in this project is related to her and is devoted mainly to intra-family relationships. At the same time characteristics of Soviet and post-Soviet realities run through it like a red thread, prompting me to reflect on the place of a person with an “ordinary biography” in historical timeline.
INA SCHOENENBURG
Exchanging Glances (Blickwechsel)
EXCHANGING GLANCES / Blickwechsel since 2011 (ongoing project)
Family is difficult to explain. You were born into it, and it is the first thing you come to know. Within your family you find (ideally) the security and the scope for your development to become finally yourself. You cannot choose your family nor avoid it. It is deeply plugged inside of us, sometimes deeper than we would like it to be. In the company of family you feel reminded to where you are coming from, you recall untroubled days of being a child, but you might remember also conflicts and the absence of understanding. All these memories and feelings are stored in our consciousness, some of them seem easy to grasp, some of them are buried in our sub-consciousness, nevertheless, somehow they appear always present when it comes to dealing with each other. No matter how one’s attitude towards family may be, one thing is clear: Family remains a permanent task. Family is the straightedge that one applies for oneself. Everything one does is either with or without consent of one’s family be it the parents or the siblings. How you see yourself also depends on how you perceive your family members. It is crucial how you look at them: lovingly, distantly, indulgently, disparagingly, … it determines what you might see and what you don’t.
Over a period of 13 years I have photographed my parents, my daughter and me. These photographs show how we stand towards each other, how we are with each other. They are about my parents’ every day life, and also how we – my daughter and me – relate to it, how we appear in it. I wanted to create a story that goes beyond personal sensitivities. A story that tells about becoming and being an adult, about closeness and distance in a family, about aspirations, buried anxieties, unspoken tensions, and of course about the singularity and weird love that parents feel about their children and vice versa.
GERLINDE MIESENBÖCK
autres
“autres” a critical engagement with portrait photography in the digital age, contesting use, function of and expectations of images of ourselves. I have always been hesitant of showing– exposing – people’s individual faces to unknown viewers, so for the past 10 years I have been digging around why it bothers me so much.
These days, face recognition software and state control mechanism under the pretext of “safety” collide with the pandemic medical masks and cultural clothing requirement (f.e. in Islam) – also for “safety”. The legitimacy and extend of all these measures is contested from all sides.
KATJA FELDMEIER
Love Crisis Fuck Boys
Wir spüren die Krise auf der Haut.
Klimakatastrophe, Inflation und Krieg. Inmitten andauernder Hiobsbotschaften frage ich mich: Where is the Love? Wo versteckt sich die Liebe in unseren Städten? Wie funktioniert Dating in Zeiten der Unsicherheit? Tut die Liebe auf Tinder anders weh?
All series can also be found in our current catalogue .